Tuesday, 30 September 2008

Henri Fantin-Latour paintings

Henri Fantin-Latour paintings
Horace Vernet paintings
Irene Sheri paintings
His mood had changed since we had drunk our wine under the elm trees, since we had turned the comer of the drive and he had said: ‘Well?’ ‘You see, there’s nothing to see. A few pretty things I’d like to show, you one day - not now. But there’s the chapel. You must see that. It’s a monument of art nouveau.’ The last architect to work at Brideshead had added a colonnade and flanking pavilions. One of these was the chapel. We entered it by the public porch (another door led direct to the house); Sebastian dipped his fingers in the water stoup, crossed himself, and genuflected; I copied him. ‘Why do you do that?’ he asked crossly. ‘Just good manners.’
‘Well, you needn’t on my account. You wanted to do sight-seeing; how about this?’ The whole interior had been gutted, elaborately refurnished and redecorated in the arts-and-crafts style of the last decade of the nineteenth century. Angels in printed cotton smocks, rambler-roses, flower

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