Thursday, 30 October 2008

Juan Gris The Guitar painting

Juan Gris The Guitar paintingJuan Gris Man in the Cafe paintingJuan Gris Breakfast painting
certain, closed. Itself a kind of belief.
Doubt.
The human condition, but what of the angelic? Halfway between Allahgod and homosap, did they ever doubt? They did: challenging God's will one day they hid muttering beneath the Throne, daring to ask forbidden things: antiquestions. Is it right must never be spilled (the penal code deals fiercely with offenders), for where it drops the city erodes alarmingly. Holes appear in roads, houses tilt and sway. The watercarriers of Jahilia are loathed necessities, pariahs who cannot be ignored and therefore can never be forgiven. It never rains in Jahilia; there are no "Such fame, even before your milk-teeth have fallen out. Look out or we'll have to draw those teeth for you." He is teasing, speaking lightly, but even this lightness is laced with menace, because of the extent of his power. The boy is unabashed. Matching Abu Simbel stride for stride, he replies: "For

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